External – CCSA

Frederike Lausch

On the Construction of transnationalism and transculturalism through UNESCO

in: Angela Gigliotti, Chiara Monterumisi & Monica Prencipe (eds.): Canons and Icons: Re-Wondering a Transcultural Contamination

English

p. 301–307

Edizioni Quasar, Rome

1st edition, 2025

ISBN: 978-88-5491-607-4

Canons and Icons: Re-Wondering a Transcultural Contamination

Daniela Ortiz dos Santos with Priscill Alves Peixoto, Elane Ribeiro Peixoto, Joana Mello de Carvalho e Silva and Rute Figueiredo (Eds.)

Criticism, Media and Memory (1930’s to 1970’s)

Rio de Janeiro: Rio Books, 2026. ISBN 978-65-8835-556-7

open access link: https://proarq.s3.sa-east-1.amazonaws.com/fe434bd31c3b2c61bf035c58f9ab3dbf.pdf

This publication has been developed within the scope of the research project “History of Architecture Criticism” of the Graduate Program in Architecture at the Federal University of Rio de Janeiro (PROARQ-UFRJ), cluster “Heritage, theory and architecture criticism,” and in the research line “Theory and teaching of architecture”. It is the result of the joint efforts of four research professors, Priscilla Alves Peixoto, Guilherme Bueno, Rute Figueiredo, and Daniela Ortiz dos Santos, based respectively at the Federal University of Rio de Janeiro, the Federal University of Minas Gerais, the Escola Superior Artística do Porto, and the Goethe University Frankfurt am Main.

It was funded by Carlos Chagas Filho Foundation for Research Support of the State of Rio de Janeiro (FAPERJ), the Federal University of Rio de Janeiro, and the Johanna Quandt Young Academy (JQYA) at Goethe University Frankfurt.

More Info on the Network Group “Crítica Memória: história da crítica da arquitetura“: https://www.criticamemoria.org/en/escritoseoutros

Carsten Ruhl and Dietrich Erben (EDS.)

Reference and Contemporaneity in Architecture. Techniques for Designing the Present Needs

Starting from the fundamental premise that references are essential for all cultural techniques, the contributors to this volume elaborate architecture’s ambivalent tension between reference and contemporaneity, its central role in both architectural production and discourse. The issues surrounding contemporaneity do not pertain to a condition, but to an agenda – one where references are selected according to interests and adapted to present needs. This perspective enriches existing conceptions of references as tools of design economy, imitation, and historicization by tying them more explicitly to contemporary agendas than has been done before.

With contributions by Sarah Borree, Matteo Cassani Simonetti, Markus Dauss, Dietrich Erben, Davor Ereš, Ole W. Fischer, Frederike Lausch, Daniela Ortiz dos Santos, Salvatore Pisani, Achim Reese, Carsten Ruhl, Szymon Ruszczewski and Hande Tunç.

Dietrich Erben, Carsten Ruhl (eds.)
Reference and Contemporaneity in Architecture

transcript Verlag | Hermannstraße 26 | D-33602 Bielefeld | live@transcript-verlag.de

Editorial Coordination: Jennifer Dyck
Translation: Anna Dinwoodie and Christopher Fenwick for Gegensatz Translation Collective Proofreading: Christopher Fenwick for Gegensatz Translation Collective
Cover concept: Kordula Röckenhaus
Typesetting: Isabel Mühlhaus (Technische Universität München)
Printing: Druckhaus Bechstein GmbH, Wetzlar
https://doi.org/10.14361/9783839432068
Print-ISBN: 978-3-8376-7918-2 | PDF-ISBN: 978-3-8394-3206-8
ISSN of series: 2702-8070 | eISSN of series: 2702-8089

Open Access Publication / Download Here

Sarah Borree, Stephanie Knuth, Moritz Röger (Eds.)

Metaphorical Practices in Architecture Metaphors as Method and Subject in the Production of Architecture

Metaphors are diversly and intricately embedded in architectural practice and discourse. Precisely for this reason, this volume argues and sets out to explore, how they can be engaged to critically interrogate architecture’s social, cultural and political dimensions – past and present – and to productively challenge and intervene with established perspectives, debates and practices.

Mapping out not just potentials but also addressing the challenges, limitations and dangers inherent in using metaphors in architectural research and practice, the volume prominently illustrates the ambiguity and contradictoriness inherent in both metaphors and the process of engaging and exploiting them. Covering a broad range of historical and geographical cases and concerns, the contributions illustrate effectively that metaphors can expand or narrow our engagement with architecture, and consolidate or legitimise but also destabilise and challenge established social, cultural, disciplinary and political structures, concepts and categories.

With its aim to explore metaphors as both subject and method to critically challenge and expand established practices, perspectives and standards in architectural research and practice, the volume will be of interest for scholars working across the architectural humanities, including architectural history, theory, culture, design and urbanism, as well as for researchers concerned with architecture and the city from fields such as cultural, visual and area studies as well as art history.

With contributions by Christian Vöhringer, Lina Dima, Peng Xue, J. Hoay-Fern Ooi, Konrad Matyjaszek, Alejandro Campos Uribe, Paula Lacomba Montes, Juliana Kei, Mokọládé Johnson, Ọlátúnjí Adéjùmọ̀, Nadia Boudidah Falfoul, Inés Toscano, Ingrid Quintana-Guerrero, Devika Prakash and Olga Touloumi.

ISBN 9781032289373

248 Pages 20 B/W Illustrations

Published November 28, 2024 by Routledge

Ortiz dos Santos, Daniela, with Priscilla Alves Peixoto, Guilherme Bueno, Joana Mello, Mario Magalhaes and Rute Figueiredo (eds.)

Critica, Mídias e Memória. Uma cultura transatlântica [Criticism, Media and Memory. A Transatlantic Culture]

Ortiz dos Santos, Daniela, with Priscilla Alves Peixoto, Guilherme Bueno, Joana Mello, Mario Magalhaes and Rute Figueiredo (eds.). Critica, Mídias e Memória. Uma cultura transatlântica, Cadernos PROARQ, the Journal of the Graduate Program in Architecture, Federal University of Rio de Janeiro, 43 (Dec, 2024), DOI:10.37180/2675-0392-n43-11

Open Access Articles Available Here: https://cadernos.proarq.fau.ufrj.br/pt/paginas/edicao/43

The Thematic edition #43 of the journal CADERNOS PROARQ presents essays and due research that focus on criticism and the presentation of the means of assembling an architectural memory that demonstrates the cultural exchange promoted “in-between seas”, but also by instances of thoughts that are in dialogue. Building this scope and the analysis process of this edition we may find the special editors Priscilla Peixoto, Daniela Ortiz dos Santos, Guilherme Bueno, Joana Mello de Carvalho e Silva, Mário Magalhães and Rute Figueiredo, specially invited by the Editorial Committee to lead this intellectual production.

The texts presented in this edition are the result of a Call for submissions from researchers in the fields of architecture, urbanism and related areas, as well as of the presentation of works derived from the II Colóquio Crítica, Mídia e Memória | Transatlantic Dialogues in Architecture, taking place in 2024 – all submitted and evaluated in a double-blind process.

The edition, therefore, brings together bibliographical contents that analyzes the critical operation in architecture – its objects, its practices and its actors – constituted in the Atlantic transit. It addresses the different mediation mechanisms (translations, publications and international meetings) that made it possible to structure networks of relationships, contact and exchange between social actors from different critical cultures on the shores of this ocean and which, above all, intersect it.

Contributions by Paolo Scrivano, Valeria Casali, Tatiana Letter Pinto, Frederico Holanda, Marta Avena and Roberto Rizzi, Yi Guo, Luiza Apolinario Rangel Victorino, Karolina de Paula Koppke, Rute Figueiredo, Priscilla Peixoto, Margareth da Silva Pereira, and Lorenzo Gatta.

JProf. Dr. Lisa Beißwanger

Envisioning a New European Bauhaus Stage—A Call for More Embodied Research in Architecture Education

The New European Bauhaus (NEB) set out to create an updated and enhanced version of its historical namesake. So far, this article observes, the initiative has somewhat avoided the fields of performance and stage work. Yet, these areas were not only of great importance for the original Bauhaus idea.

Embodied knowledge and an experiential understanding of space also appear to be key competencies for the NEB’s intended goals: shaping a positive, inclusive, and sustainable future. Drawing on the historic Bauhaus stage workshop, the article invites to consider the potentials that the fields of dance and theater offer for future design and architectural education and practice. More precisely, it proposes to envision a New European Bauhaus Stage, connecting the fields of architecture and the performing arts. Structured into two sections, the article first provides historical insights into the work and organization of the historical Bauhaus Stage. In the second part, it outlines some more recent developments in the field, introducing a selection of projects working at the intersections of architecture and performance. Reflecting on both, the older and the newer ideas and initiatives, and their inspi-rational potential for architecture and architecture education, it then goes on to outline what a New European Bauhaus Stage might look like. It proposes a decen-tral pan-European think-and-do-tank, aiming to foster embodied knowledge and research in architecture. Rather than offering a recipe or concrete didactic advice, the manifesto-like article aims to inspire its readers to develop new projects and collaborations.

Frederike Lausch

“The Case for Self-Education – The Self-Help Manuals of the Communication Centre of Scientific Knowledge for Self-Reliance”, in: ABE – Architecture Beyond Europe, No. 21, 2023.

This paper addresses self-help manuals presenting planning, building and survival knowledge in the form of comic strips. They were designed by the Communication Centre of Scientific Knowledge for Self-Reliance (CCSK) and distributed globally, with a particular focus on India. The CCSK, founded in 1982-83 by architects Yona Friedman and Eda Schaur and funded by the United Nations University (UNU), imagined a multidirectional exchange of different forms of expertise, taking the knowledge and agency of non-professionals into account and aiming to question conventional concepts of the expert. This paper asks how different forms of expertise were acknowledged, constructed, and challenged in the CCSK manuals. It situates Schaur and Friedman’s work within the discourse on self-help in general and on “appropriate technology” and the role of communication media and visualization techniques in development aid in particular. Although the knowledge transfer from “developing countries” to industrialized ones remained largely imaginary, the CCSK contributed to establishing development as a global and mutual learning process, a concept especially advocated by the UNU.

https://journals.openedition.org/abe/14443

Hg. von Nathalie Bredella, Chris Dähne, Frederike Lausch

Utopia Computer. The “New” in Architecture?

The critical concern of the book “Utopia Computer” is the euphoria, expectation and hope inspired by the introduction of computers within architecture in the early digital age. With the advent of the personal computer and the launch of the Internet in the 1990s, utopian ideals found in architectural discourse from the 1960s were revisited and adjusted to the specific characteristics of digital media. Taking the 1990s discourse on computation as a starting point, the contributions of this book grapple with the utopian promises associated with topics such as participation, self-organization, and non-standard architecture. By placing these topics in a historical framework, the book offers perspectives for the future role computation might play within architecture and society.

Forum Architekturwissenschaft 6, Berlin: Universitätsverlag der TU Berlin, 2023.

Open Access: https://architekturwissenschaft.net/forum-bd6

Beatriz Colomina, Ignacio G. Galán, Evangelos Kotsioris and Anna-Maria Meister

Radical Pedagogies

Experiments in architectural education in the post–World War II era that challenged and transformed architectural discourse and practice.

Summary

Experiments in architectural education in the post–World War II era that challenged and transformed architectural discourse and practice.

In the decades after World War II, new forms of learning transformed architectural education. These radical experiments sought to upend disciplinary foundations and conventional assumptions about the nature of architecture as much as they challenged modernist and colonial norms, decentered building, imagined new roles for the architect, and envisioned participatory forms of practice. Although many of the experimental programs were subsequently abandoned, terminated, or assimilated, they nevertheless helped shape and in some sense define architectural discourse and practice. This book explores and documents these radical pedagogies and efforts to defy architecture’s status quo.

The experiments include the adaptation of Bauhaus pedagogy as a means of “unlearning” under the conditions of decolonization in Africa; a movement to design for “every body,” including the disabled, by architecture students and faculty at the University of California, Berkeley; the founding of a support network for women interested in the built environment, regardless of their academic backgrounds; and a design studio in the USSR that offered an alternative to the widespread functionalist approach in Soviet design. Viewed through their dissolution and afterlife as well as through their founding stories, these projects from the last century raise provocative questions about architecture’s role in the new century.

https://mitpress.mit.edu/books/radical-pedagogies

Daniela Ortiz dos Santos

Italian Roots in Latin American Architectural History

In: Denise Costanzo and Andrew Leach, editors. Italian Imprints on twentieth-century architecture. London: Bloomsbury, 2022. p.265-277.

Abstract

Beginning in the 1960s, architects across Central and South America and the Caribbean began using the phrase “Latin American” to describe a collective body of built work. A term that carried a complex, heavily politicized history made its way into the hemispheric discourse by way of several individuals, organizations, and projects with direct ties to Italy. They include the Italian-born architects and historians Roberto Segre and Graziano Gasparini, and the latter’s brother, influential photographer Paolo Gasparini. All participated in transatlantic projects sponsored by UNESCO and the Rome-based Istituto Italo-Latino Americano that produced exhibitions, publications, and conferences designed to assemble the architectural traditions of the non-Anglophone hemisphere into forms permitting wider consumption, particularly in Europe. This essay considers how connections to Italy contributed to the trajectories of key individuals and initiatives, and its implications for how the region’s architecture is consumed by a global audience, and how it sees itself.

Keywords: Latin American architecture, Roberto Segre, Paolo Gasparini, Graziano Gasparini, UNESCO, Istituto Italo-Latino Americano.

Amalia Barboza und Markus Dauss (Hrsg.)

Konzept Campus. Transformationen des universitären Feldes

Die Räume, in denen Forschung und Lehre stattfinden, gelten häufig als Nebensache. Zumeist erfahren sie erst bei einschneidenden Veränderungen Aufmerksamkeit. Dabei wird dann deutlich, dass der Campus stets Raum für ganz unterschiedliche Entwürfe geboten hat.
Die Beiträge dieses Bandes thematisieren historische und gegenwärtige Transformationen des Konzepts Campus. Diskutiert werden markante architektonische Beispiele aus Deutschland, aber auch aus dem angelsächsischen und französischen Kontext. Sichtbar gemacht werden politische Programme, ideologische Aufladungen und kritische Wahrnehmungen von modernen Hochschulräumen. Untersucht wird auch die mediale Dimension des Gebauten. Was vermag die Rolle künstlerischer Forschungen und Interventionen dabei zu sein? Können Sie die dominanten Logiken des Konzepts Campus aufdecken, unterlaufen oder gar brechen und es damit für neue Aneignungen öffnen?

Junior.-Prof. Amalia Barboza, Kulturwissenschaftlerin / Soziologin, Universität des Saarlandes

PD Dr. Markus Dauss, Kunsthistoriker, Goethe Universität Frankfurt am Main

https://books.ub.uni-heidelberg.de/arthistoricum/catalog/book/947

Markus Dauss

Travailler les limites. Die Grenzen des frühneuzeitlichen Paris und die Entstehung des modernen Boulevards.

Travailler les limites. Die Grenzen des frühneuzeitlichen Paris und die Entstehung des modernen Boulevards.
In: Kunstgeschichte. Open Peer Reviewed Journal, 2022 (urn:nbn:de:bvb:355-kuge-592-2)

Der Beitrag untersucht die frühneuzeitlichen Grenzen der Stadt Paris als liminale Räume. Dabei geht es vor allem um die Entstehung von Promenierzonen durch die Auflassung der Stadtbefestigung unter Ludwig XIV. Die dadurch geschaffenen Boulevards stellen ein zentrales, vielfach mythisiertes Element der Stadtgestalt der französischen Kapitale dar, in dem entgrenzte Dynamik und gouvernementale Kontrolle miteinander ringen.

Daniela Ortiz dos Santos, Charlotte Malterre-Barthes, Torsten Lange und Gabrielle Schaad (Hg.)

Zeitgenössische feministische Raumpraxis

Diese Ausgabe beinhaltet keine abschließende Bestandsaufnahme der unzähligen Möglichkeiten, wie feministische Praxen eine bessere Zukunft gestalten oder zumindest aufscheinen lassen. Aus den vorgestellten geschriebenen, gesprochenen, gezeichneten, collagierten, kodierten, zusammengenähten, gelebten und gebauten Arbeiten entsteht ein großzügiger, hoffnungsvoller und zusammengesetzter Korpus von Möglichkeiten zur Transformation aktueller Bedingungen.

Lisa Beißwanger

Performance on Display – Zur Geschichte lebendiger Kunst im Museum

Lisa Beißwanger’s book, published in December 2021, examines when, how, and why art came ‘alive’ in museums. The investigation focuses on performance exhibitions and events in US museums of the 1970s. The book illuminates the complex interconnections of artists, institutions, the market, and cultural politics that led to a general ‘eventization’ of the museum.

Abstract:

Live performances are now an everyday occurrence in art museums. Yet is this really a new development? When, how and why did art come to life in the museum?
Starting with the U.S. art system of the 1970s, a nucleus of early performance, this book explores the little-known beginnings of the phenomenon of “performance on display.” To do so, it examines selected performances and exhibitions-from dance to body art to performance art, and explores the role of distribution networks and state arts funding policies. Moving away from the established narrative of anti-institutional performance, this volume rewrites performance and museum history and opens up an exciting cultural-historical panopticon.

511 Seiten
145 Abbildungen

Bibliografische Angaben:
Lisa Beißwanger, Performance on Display – Zur Geschichte lebendiger Kunst im Museum, Berlin: Deutscher Kunstverlag 2021.
Link zum Buch auf der Seite des Verlags:
https://www.degruyter.com/document/doi/10.1515/9783422986985/html

Online-Zugang über die ULB für Mitglieder der TU Darmstadt:
https://hds.hebis.de/ulbda/Record/HEB481762019

Markus Dauss

Architektur für die Nation? Frankreich im letzten Drittel des 19. Jahrhunderts

Der Text fokussiert die Architektur in der französischen Hauptstadt im letzten Drittel des 19. Jahrhunderts. Zentral ist dabei die Frage, inwieweit die Frage nationaler Repräsentation bestimmend für das Bauen in Paris war. Die Dritte Republik (1870‒1940) hatte zur (öffentlichen) Architektur – oder zumindest zu ihrer zentralen staatlichen Steuerung ‒ eigentlich ein ambivalentes Verhältnis, setzte eher punktuelle Akzente. Diese konnten allerdings herausragend sein; viele gelten bis heute, selbst wenn sie anfangs umstritten waren, als Repräsentanten der ‚Grande Nation‘ und ihrer Kapitale, so an allererster Stelle etwa der Eiffelturm von 1889.

ejounal:

https://www.kunstgeschichte-ejournal.net/588/

Vortrag:

https://www.bismarck-stiftung.de/2021/12/03/architektur-und-nationale-identitaet-in-frankreich/

Christiane Fülscher

Deutsche Botschaften. Zwischen Anpassung und Abgrenzung

Newly constructed embassies simultaneously convey prestige and establish a national identity. Their primary aim—to represent a state in a foreign country and reflect its societal self-image—turns them into political symbols. Over the past 150 years, Germany has consistently sought to express itself through the distinct architecture of its government buildings in other countries. In particular, the new diplomatic buildings constructed during the forty-year division between the GDR and FRG document the close relationship between political, cultural, and personal choices and their contexts. From their extraterritorial positions, the buildings offer an expanded view of history and self-conception. To this day, they continue to shape representative architecture abroad.

Deutsche Botschaften. Zwischen Anpassung und Abgrenzung
Berlin/Boston: Jovis Verlag 2021
ISBN 978-3-86859-652-6

doi.org/10.1515/9783868599640

Markus Dauss

Architektur, Bewegung, Gewaltsamkeit. Poelzig, Mendelsohn – und Montage

Der Beitrag befasst sich damit, wie Bewegung in gebaute Strukturen übersetzt wird. Die Darstellung setzt an Hans Poelzigs I.G.-Farben-Verwaltungsgebäude in Frankfurt am Main an und schält zunächst markante Mobilitätsmotive des Gebäudes sowie deren Gegenspieler heraus. Anschließend behandelt sie theoretische wie morphologische Bezüge der Architektur zum Leitmedium der dynamischen Moderne – zum Film. Die intermediale Verzahnung beider Künste wird dabei nicht nur anhand von Poelzig selbst rekonstruiert, sondern auch von Werken und Gedanken des Zeitgenossen Erich Mendelsohn. Über die Scharnierkategorie der Montage wird dann die Verbindung zu filmischer und architektonischer Bewegung hergestellt – und gezeigt, inwiefern in diese Gewaltsamkeit kulturell encodiert ist.

ejounal:

https://www.kunstgeschichte-ejournal.net/585/

Daniela Ortiz dos Santos

Narrar por Transversalidade

“Narrar por Transversalidade” (2021), with M. Pereira, M. Magalhaes et al. in: Paola Berenstein Jacques, Margareth da Silva Pereira, Josianne Francia Cerasoli (eds) Nebulosas do pensamento urbanístico – Modos de narrar (Tomo III), Salvador: Edufba, 2021, 174-189.

Ao aproximar reflexões sobre modos de narrar e indagações de pesquisas sobre história e historiografia do urbanismo, a coletânea traz ao debate público a diversidade de entendimentos sobre as intrigas, a trama e a tessitura histórica nos estudos sobre o urbano. São indagações advindas de experiências de pesquisa e escrita dos diferentes grupos que constroem essa investigação coletiva sobre a formação do pensamento urbanístico. Múltiplo, plural, citadino e urbano, concreto e abstrato, o campo do urbanismo requer indagações incontroláveis às narrativas: a quem e a que servem? O que perpetuam? Quando, por que e como transgridem?

DANIELA ORTIZ DOS SANTOS

Anthropophagic Affairs: Le Corbusier, Paulo Prado and New World Revolutions

ORTIZ DOS SANTOS, Daniela. “Anthropophagic Affairs: Le Corbusier, Paulo Prado and New World Revolutions”. LC. Revue de recherches sur Le Corbusier, n. 3, (March 2021) pp. 62-75, ISSN 2660-7212, <https://polipapers.upv.es/index.php/LC/article/view/14807>.

This paper explores Le Corbusier’s relation to the American continent, yet with a particular focus on the visions he created before his trip of 1929. Not only did his vision go far beyond the sphere of the United States, but it also proved to be influenced by individuals with whom he shared admiration and affinity. This web of people encompassed patrons, politicians, painters and poets. Brazilian businessman Paulo Prado is here revealed as crucial protagonist, and for the first time amply discussed through this approach to Le Corbusier and the Americas. Prado went beyond the agency of those engaging lectures and housing commissions overseas. Primarily linked to the image of a financial patron, Prado’s ideas of modernity and São Paulo identity were often obfuscated by the work of Antropofagia movement founding member Oswald de Andrade. And yet, Prado’s social, political and intellectual capital was critically important for the 1920s economic and cultural exchanges between Europe and Brazil. While examining the encounters between Prado and Le Corbusier, a new window of investigation and periodization is opened in order to construct Le Corbusier’s connections with an elite eager to create a fresh interest in the cultural economy of the Transatlantic scene.

Christiane Salge

Baukunst und Wissenschaft. Architektenausbildung an der Berliner Bauakademieum 1800

Christiane Salge: Baukunst und Wissenschaft. Architektenausbildung an der Berliner Bauakademieum 1800, Berlin 2021

”Debatten und Diskurse zum Architekturunterricht an der berühmten Berliner Bauakademie in ihrer Gründungsphase”

Die Berliner Bauakademie zählte um 1800 zu den wichtigsten Ausbildungsstätten für Architekten im deutschsprachigen Raum. Was machte sie so besonders? Das Buch rekonstruiert auf Grundlage von reichem Quellenmaterial die Gründungsphase der Institution, den Aufbau und Inhalt der Lehre, die Zusammensetzung des Lehrpersonals und die Karriere ihrer ersten Schüler.

Weitere Informationen

Frederike Lausch

Gilles Deleuze und die Anyone Corporation. Übersetzungsprozesse zwischen Philosophie und Architektur

Der US-amerikanische Architekturdiskurs der 1990er Jahre ist entscheidend von den Theorien Gilles Deleuzes geprägt. Die Aneignung seiner philosophischen Konzepte und jener, die er gemeinsam mit Félix Guattari entwickelt hat, findet vor allem innerhalb des architekturtheoretischen Netzwerks der »Anyone Corporation« statt: In ihren Diskursen wimmelt es von glatten Räumen, organlosen Körpern, Rhizomen, Falten, abstrakten Maschinen und Diagrammen. Frederike Lausch zeigt auf, wie sich die »Anyone Corporation« durch die Bezugnahme auf Deleuze als intellektuelle Elite der Architekturdisziplin inszeniert und wie im Zuge der Entpolitisierung seiner Theorien die »Post-Criticality«-Bewegungen entstehen.

https://www.transcript-verlag.de/978-3-8376-5326-7/gilles-deleuze-und-die-anyone-corporation/?c=310000067

et al. Carsten Ruhl

Zur gesellschaftlichen Lage der Architektur, in: WestEnd, Neue Zeitschrift für Sozialforschung, S. 25-42.

Die seit 2004 vom Institut für Sozialforschung herausgegebene Zeitschrift WestEnd. Neue Zeitschrift für Sozialforschung richtet sich an ein breites intellektuelles Lesepublikum. An ihre berühmte Vorgängerin, die in den Jahren 1932 bis 1941 erschienene Zeitschrift für Sozialforschung, schließt sie mit dem Gedanken der Interdisziplinarität und dem Anspruch einer kritischen Gesellschaftstheorie an. Zur Veröffentlichung kommen Aufsätze und Essays aus unterschiedlichen sozial- und geisteswissenschaftlichen Disziplinen, die zur Analyse der aktuellen gesellschaftlichen Lage beitragen. Die Rubrik »Studien« enthält jeweils drei Aufsätze, die eine grundsätzliche Frage der Sozial- oder ästhetischen Theorie behandeln. Ein »Stichwort«, das den Schwerpunkt der jeweiligen Ausgabe anzeigt, versammelt Beiträge zu einem zeitdiagnostisch relevanten Thema. Unter dem Titel »Eingriffe«, der dritten Rubrik, finden sich kürzere Texte, die in aktuelle Debatten intervenieren und zu wichtigen theoretischen Entwicklungen Stellung beziehen.

http://www.ifs.uni-frankfurt.de/veroeffentlichungen/westend/

Frank O. Gehry, Fish (El Peix d’Or), Barcelona, 1992: Foto des Autors (2011)

Ebert, Carola; Froschauer, Eva Maria; Salge, Christiane (Hrsg.)

Vom Baumeister zum Master. Formen der Architekturlehre vom 19. bis ins 21. Jahrhundert

Universitätsverlag der TU Berlin, Berlin, 2019.

Die Onlineausgabe kann über die Seite des Netzwerks Architekturwissenschaft gelesen werden, dort sind auch alle Aufsätze als Einzeltexte eingestellt:

https://architekturwissenschaft.net/forum-bd3

Außerdem steht die Onlineausgabe auf dem institutionellen Repositorium der TU Berlin kostenfrei zur Verfügung:
http://dx.doi.org/10.14279/depositonce-7789